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Copyright: Paramount Picture
There’s plenty of shells in the new adaptation of the classic anime, but not many of them are the good kind like the one Major, played by Scarlett Johansson has for her body. Instead, these shells are all over the place and they represent great potential followed by failed opportunities to make any kind of a lasting connection to the audience. While there are some redeeming emotional moments brought on by the film’s end, mostly through the always creepy and always impressive Michael Pitt, but overall Ghost in the Shell is plastic both to touch and taste.

Yes, there is an endless homage to all things Japanese and cyberpunk, but the runtime of just over 90 minutes stops the film from exploring any underlying issue of identity, technological change and the meaningfulness of choice. The reason for this is most likely some heavy studio chopping and cutting, which is a shame. Instead of a meditative and gorgeous exploration of a dark future, it goes for the action feel but it underdeliveres at many of its crucial moments - the best fight scenes come at the start of the film, as if it is trying to convince its audience to come and watch it. It’s still gorgeous though.